The white male dominance in the media industry is traditionally pointed out to be the reason for the problematic representations and stereotyping of historically underrepresented groups. However, the film and media industry’s mechanisms are challenged for a change with the advent of digital. By allowing the traditional passive spectator to be the progressive producer they would like to see in the industry, digital platforms allow people to themselves tell their stories, which points to the increased visibility of a younger and more diverse group of people. By pointing out the importance of self-representation, this paper examines Generation Z’s and the Millennials’ online habits, namely in TikTok and YouTube web series, to discuss its extent. It acknowledges the limitations of digital presence toward being a solution to social injustice, yet concludes that having such content within reach and the fact that such polyphony can be created without barriers is a great step forward for the notorious issue of representation.
